![]() I decided to be a little experimental, go for that slightly mismatched vibe somme old school coords have. This coord is from October, my lolita posse and I went to a local(ish) vintage market that happens every weekend. I'll probably wear this coord again in the future, actually twinning. I wore this to a twinning meet up but unfortunately my twin had to cancel last minute, so I didn't bother getting a 'proper' coord photo. One of my favourite coords I think, I just wore this to go for lunch with some (frilly) friends. I decided I wanted to try a super casual oldschool street-snap sort of look. It's a shame you can't see the flowers down the side of my socks.Ĭoord for a mini meet. This was taken at a different national trust place, haha. In August I visited some family, and whenever I'm there we go to some nice national trust properties so I thought wearing lolita would fit the fairytale vibes. The lolita lounge had a Cinema doll themed photo area. My coordinate for Densetsu, a convention in it's first year. New York, NY: Routledge.~Below the cut are all of my coordinates from August - December 2015~ Don’t bet on the prince: Contemporary feminist fairy tales in North America and England (2nd ed.). Fairy tales and the art of subversion: The classical genre for children and the process of civilization (2nd ed.). Lexington: The University Press of Kentucky. Breaking the magic spell: Radical theories of folk and fairy tales. Touch magic: Fantasy, faerie and folklore in the literature of childhood. Philadelphia: University of Pennsylvania Press. ![]() Bottigheimer (Ed.), Fairy tales and society: Illusion, allusion, and paradigm (pp. Feminist approaches to the interpretation of fairy tales. Kalčik (Eds.), Women’s folklore, women’s culture (pp. The misuses of enchantment: Controversies of the significance of fairy tales. Lindahl (Eds.), Folklore on two continents: Essays in honor of Linda Dégh (pp. Fairy tales for adults: Walt Disney’s Americanization of the märchen. The Journal of American Folklore, 88, 42-50. To spin a yarn: The female voice in folklore and fairy tale. AAA: Arbeiten aus Anglistik und Amerikanistik, 26(2) 181-98. Fairy tales re-visited gender concepts in traditional fairy and feminist fairy tales. Cinderella ate my daughter: Dispatches from the front lines of the new girlie-girl culture. Why tell stories about innocent, persecuted heroines? Western Folklore, 52(1), 61-71. Niles, Trans.) Bloomington: Indiana University Press. Feminist fairy-tale scholarship: A critical survey and bibliography. Zipes, Trans.) Princeton, NJ: Princeton University Press. The complete first edition: The original folk & fairy tales of the brothers Grimm. The madwoman in the attic: The woman writer and the nineteenthcentury literary imagination. Good and bad beyond belief: Teaching gender lessons through fairy tales and feminist theory. (Original work published 1975)įisher, J., & Silber, E. The uses of enchantment: The meaning and importance of fairy tales. Preface to the special issue on erotic tales. Philadelphia: University of Pennsylvania Press.īacchilega, C. ![]() Postmodern fairy tales: Gender and narrative strategies. An introduction to the “innocent persecuted heroine” fairy tale.
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